Function:
Part of the panoply of a warrior, providing protection for the chest area.
Manufacture:
Made by cutting the basic shape from a sheet of bronze and then working it with the relief achieved by hammering (probably using a matrix) while incision was used for the decorative scalloping.
Bibliography:
Connolly, P., Greece and Rome at War, London, Macdonald, 1981, 105-112.
Connolly, P., "Notes on the development of breastplates in Southern Italy", Italian Iron Age Artefacts in the British Museum: Papers of the Sixth British Museum Classical Colloquium, ed. J. Swaddling, London, British Museum, 1986, 117-118 (typology); see also 117-125.
Kanowski, M. G., The Antiquities Collection, catalogue, Department of Classics and Ancient History, The University of Queensland, St. Lucia, 1978, 61.
Hill, D. K., "Bronze Working: Sculpture and Other Objects", The Muses at Work: Arts, Crafts, and Professions in Ancient Greece and Rome, ed. C. Roebuck, Cambridge, Massachusetts and London, England, The MIT Press, 1969, 60-95, especially 81-82.
Reich, J., Italy Before Rome, Oxford, Elsevier-Phaidon, 1979, 101-109 ("The Samnites").
Warry, J., Warfare in the Classical World, New York, St. Martin Press, 1980, 102-103.
Comparanda:
Connolly, P., "Notes on the development of breastplates in Southern Italy", Italian Iron Age Artefacts in the British Museum: Papers of the Sixth British Museum Classical Colloquium, ed. J. Swaddling, London, British Museum, 1986, Figs. 5 and 6b.
Comstock, M. and C. Vermeule, Greek, Etruscan & Roman Bronzes in the Museum of Fine Arts, Boston, Greenwich, Connecticut, New York Graphic Society, 1971, No. 585 (more ornate piece, with relief faces decorating the discs).
Connolly, P., Greece and Rome at War, London, Macdonald, 1981, Illustration 1, p. 108, Illustration 1, p. 110.
Warry, J., Warfare in the Classical World, New York, St. Martin Press, 1980, illustration p. 102.